Baahubali 2 Review / Baahubali 2 Rating : The history line of Baahubali is quite routine and predictable. The actual kick starts only during the second half and ends abruptly, which might leave you a little unhappy. Anushka has nothing to do in the film because her character will only be revealed during the second part. Some war sequences were dragged and cut to reduce run time. There is so much noise surrounding the film that some unwanted songs are facing the film. The romanticism between Prabhas and Tamanna also seems exaggerated at times.
From where I start from this section. Baahubali is by far the most technically brilliant film from Indian cinema. All the frames of the film are pure and simple. Sets, VFX jobs and graphics are simply out of this world. One should be really proud to see great visuals, especially in a Telugu movie. The music is decent, but the background score could have been better.
Then, the direction of art is online. Sabu Cyril did a wonderful job with the sets. Whether it is the palace, the environment of the kingdom or the equipment of war, everything seems impressive. The camera work of Senthil Kumar blows. His brilliant visuals are nicely complemented by the superb VFX. The scenes of waterfalls and a few shots during the fighting sequence with Kaalakeya were executed with brilliance.
The way Rajamouli conceptualized the visuals will be a learning lesson for a generation of aspiring filmmakers. Although the Rajamouli scenario is dropping a bit here and there, its broader approach than life is what makes this film such a visual treatment.
From where I start from this section. Baahubali is by far the most technically brilliant film from Indian cinema. All the frames of the film are pure and simple. Sets, VFX jobs and graphics are simply out of this world. One should be really proud to see great visuals, especially in a Telugu movie. The music is decent, but the background score could have been better.
Then, the direction of art is online. Sabu Cyril did a wonderful job with the sets. Whether it is the palace, the environment of the kingdom or the equipment of war, everything seems impressive. The camera work of Senthil Kumar blows. His brilliant visuals are nicely complemented by the superb VFX. The scenes of waterfalls and a few shots during the fighting sequence with Kaalakeya were executed with brilliance.
The way Rajamouli conceptualized the visuals will be a learning lesson for a generation of aspiring filmmakers. Although the Rajamouli scenario is dropping a bit here and there, its broader approach than life is what makes this film such a visual treatment.